![]() 1946) "What’s cooking?" and follows up with a question about death.It can be argued that the actions of a single art collector in New York City on Octoacted as a catalyst for shaping the contemporary art market as we know it today. Dancer Robert Kovich (1950-1991) also participates in the project. 1951) and video artist Nam June Paik (1932-2006) as they collaborate on a new work. Museum of Contemporary Art interviews, 1979-1983Īrtist Roger Brown (1941-1998) leafs through his sketchbooks and talks about his creative process.Ĭeramicist Robert Sperry (1927-1998) reveals his unique toolkit.Īrtist Louis Bunce (1907-1983) creates a painting to jazz music with bandleader Jim Smith live on Portland, Oregon, television.Ī look inside the studios of sound artist Liz Philips (b. Sculptor George Segal (1924-2000) talks about the first time he tried body-casting-on himself. State of the Arts videotape collection, circa 1970-1980 Mary Wallace, the model for a sculpture by Duane Hanson (1925-1996) called Fundraiser, makes an appearance with her double. Stable Gallery records, 1916-1999 (bulk 1953-1970)Īrt dealer Eleanor Ward (1912-1984) speculates about Andy Warhol (1928-1987) at a 1973 auction of the Robert Scull collection.Įducation Department, Museum of Contemporary Art, Chicago 1944) challenge students at a feminist artists’ workshop at Notre Dame University. Video by Gloria Kaufman, CK Video ProductionsĪrtists Alice Neel (1900-1984) and Mary Miss (b. Sugarman won the battle, and the sculpture stands today. District Courthouse in downtown Baltimore, Maryland. On-the-street interviews and commentary by artist George Sugarman (1912-1999) about the attempt by federal judges to prevent the installation of his sculpture Baltimore Federal, outside the U.S. U-Matic video copy with commentary of original Super8 film The work was removed under public pressure. 1939) fights back at a federal hearing about his controversial sculpture Tilted Arc, a gently curved wall of rusting steel that bisected Federal Plaza in New York City. General Services Administration et al., 1985-1987 Legal records relating to Richard Serra v. Sculptor George Tsutakawa (1910-1997) reminisces about his friend, fellow Japanese American sculptor Isamu Noguchi (1904-1988). "George Tsutakawa: An Artist’s Pilgrimage," 1990Īrchives of American Art video production Most of the video clips in this exhibition are currently not available online. ![]() Audiovisual recordings also convey details that traditional documents cannot, such as their subject’s gestures and attitudes, the changing light in a studio, and the buzz of excitement in a room. ![]() ![]() Many of the Archives of American Art’s collections from this period contain audiovisual documents alongside traditional archival documents such as letters, diaries, and photographs.įilm and video have obvious advantages for portraying visual art and artists’ processes, and each audiovisual format has its own intrinsic visual qualities that help evoke a particular period of recent history, such as kinescopes from early television, or black-and-white Portapak videos and Super8 films from the 1960s and 1970s. In the late 20th century, some artists-and others in the art world-began using film and video to document their lives and work. ![]()
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